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225/35R19 BRIDGESTONE POTENZA S001 RUNFLAT . Y-88/ XL EUROPA
EN STOCK: 4
225/35R19 BRIDGESTONE POTENZA SPORT . Y-88/ XL EUROPA
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225/35R19 PIRELLI PZERO . Y-88/ XL ALEMANIA
EN STOCK: 4
225/35R19 SUNWIDE RS-ONE . W-88/ XL CHINA
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225/35R19 MICHELIN PILOT SPORT 4 S ZP RUNFLAT . Y-88/
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225/35R19 MICHELIN PILOT SPORT 4S . Y-88/
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225/35R19 PIRELLI PZERO RUNFLAT . Y-88/ (*)
EN STOCK: 4
225/35R20 MICHELIN PILOT SPORT 4 S . Y-90/ FRANCIA
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225/35R20 MICHELIN PILOT SPORT 4 S ZP RUNFLAT . Y-90/
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225/40R18 BRIDGESTONE TURANZA T005 . Y-92/ XL SEAT EUROPA
EN STOCK: 5
225/40R18 BRIDGESTONE TURANZA T005 RUNFLAT . Y-92/ XL EUROPA
EN STOCK: 7
225/40R18 PIRELLI CINTURATO P7 . Y-92/ XL (AO)
EN STOCK: 2
225/40R18 PIRELLI CINTURATO P7 RUNFLAT . Y-92/ XL
EN STOCK: 4
225/40R18 PIRELLI POWERGY . W-92/
EN STOCK: 1
225/40R18 PIRELLI PZERO . Y-92/ XL
EN STOCK: 18
225/40R18 PIRELLI PZERO RUNFLAT . W-92/ XL MOE
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225/40R18 BRIDGESTONE POTENZA RE050A . Y-92/ XL JAPON
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225/40R18 BRIDGESTONE POTENZA RE050A1 RUNFLAT . Y-92/ XL EUROPA
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225/40R18 BRIDGESTONE POTENZA RUNFLAT . Y-88/
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225/40R18 BRIDGESTONE POTENZA S001 RUNFLAT . Y-88/ BMW EUROPA
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.