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“275/45R20 SUNWIDE REXTON-1 . W-110/ XL CHINA” se ha agregado a tu carrito. Ver carrito
EN STOCK: 4
275/45R18 PIRELLI CINTURATO P7 RUNFLAT . W-103/ (MOE)
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275/45R18 MICHELIN PILOT SPORT 4 . Y-107/
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275/45R18 PIRELLI PZERO ROSSO . Y-103/
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275/45R19 DUNLOP SP SPORT MAX050+ . Y-108/ JAPON
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275/45R19 DUNLOP SP SPORT MAXX TT . Y-108/ JAPON
EN STOCK: 4
275/45R20 DUNLOP MAX060+ HT . Y-110/ JAPON
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275/45R20 PIRELLI SCORPION VERDE as . V-110/ XL (N0) GRAN BRETAÑA
EN STOCK: 2
275/45R20 SUNWIDE REXTON-1 . W-110/ XL CHINA
EN STOCK: 3
275/45R20 APTANY RA301 . V -110/ XL CHINA
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275/45R20 BRIDGESTONE ALENZA ALENZA 001 RUNFLAT . Y-110/ XL ESTADOS UNIDOS
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275/45R20 BRIDGESTONE DUELER HP SPORT . Y-110/ JAPON
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275/45R20 BRIDGESTONE DUELER HP SPORT . Y-110/ XL EUROPA
EN STOCK: 2
275/45R20 GOODRIDE SA57 . V-110/ XL CHINA
EN STOCK: 8
275/45R20 GOODRIDE SU318 HT . V-110/XL CHINA
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275/45R20 MICHELIN PILOT SPORT 4S . Y-110/
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275/45R20 PIRELLI PZERO ROSSO . Y-110/
EN STOCK: 2
275/45R21 PIRELLI PZERO (PZ4) . Y-107/ MO
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275/45R21 BRIDGESTONE TURANZA T005 . Y-110/ XL EUROPA
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275/45R21 MICHELIN LATITUDE SPORT . Y-110/XL
EN STOCK: 2
275/45R21 MICHELIN LATITUDE SPORT 3 . Y-107/ MO
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.