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“225/55R17 SUNWIDE RS-ONE . W-101/ XL CHINA” se ha agregado a tu carrito. Ver carrito
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225/55R16 WINDFORCE CATCHFORS UHP . W-99/ CHINA
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225/55R17 BRIDGESTONE TURANZA T001 . V-97/ JAPON
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225/55R17 BRIDGESTONE TURANZA T005 . W-97/ EUROPA
EN STOCK: 12
225/55R17 DUNLOP SP SPORT LM705 . W-101/ THAILANDIA
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225/55R17 MICHELIN PRIMACY 4+ . W-101/ XL
EN STOCK: 2
225/55R17 MOMO M30 TOPRUN . Y-101/ XL EUROPA
EN STOCK: 4
225/55R17 PIRELLI CINTURATO P7 . Y-97/ MO ITALIA
EN STOCK: 7
225/55R17 PIRELLI CINTURATO P7 RUNFLAT . Y-97/ (*) MOE
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225/55R17 PIRELLI CINTURATO P7 RUNFLAT (K1) . W-97/ (b) RUMANIA
EN STOCK: 8
225/55R17 BRIDGESTONE TURANZA T001 RUNFLAT . W-97/ EUROPA
EN STOCK: 3
225/55R17 DUNLOP MAX 050 . V-97/ JAPON
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225/55R17 DUNLOP SP SPORT MAX050+ RUNFLAT . W-97/ JAPON
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225/55R17 MICHELIN LATITUDE CROSS . H-101/XL
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225/55R17 MICHELIN PRIMACY 3 ZP RUNFLAT . Y-97/
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225/55R17 MICHELIN PRIMACY 4 . W-101/
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225/55R17 PIRELLI CINTURATO P7 . W-97/ (AO)
EN STOCK: 26
225/55R17 SUNWIDE RS-ONE . W-101/ XL CHINA
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225/55R18 DUNLOP GRANDTREK PT5 HT . V-98/ THAILANDIA
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225/55R18 PIRELLI SCORPION . H-98/ BRASIL
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225/55R18 PIRELLI SCORPION . H-98/ BRASIL
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.